FREQUENCY - B
In spring 2005 the piece ‘frequency-I’ was created in collaboration among Juschka Weigel, Daniel Regenberg and Miguel Muñoz.
During the process many concepts and new ideas began to appear, such enough to grow up a second piece, and soon emerged the decision to work in ‘frequency - b’.
‘frequency - b’ isn’t a sequel nor a denial of ‘frequency-I’, but a deeper view focused on other facets of the subject.
‘frequency-b’ reflects about the question of the origin of movements.
Simultaneously we investigate the signs of language, the different possibilities to read them. How they give information about the the background of a mover, his/her social origin, his/her character, psychological disposition and his/her cultural habitat?
What is the physical-pragmatic part of a movement and what are, on the other side, the cultural, historical, psychological parts? What is the essence of a movement, motion and emotion for primary purposes? How we get somebody to do something? How things are beginning to happen, or simply: how to brush our teeth?
In this coherence the order and the systematic are important and dangerous in every situation of our life.
As far as they make sense and when they become menacing. Looking for the postmodern systematic in different ways. Inevitably addicted to the measure of power and movement. The confidence, but also the drastic of systematics will be shown virulently to the audience: if and how human being is able to revoke the systhem, the order.
Gregor Blahak, Miguel Muñoz,
Daniel Regenberg, Juschka Weigel
CHOREOGRAPHY + DANCE
MUSIC + PERFORMANCE
InThisSection - juschkaWeigel
FONDS DARSTELLENDE KÜNSTE e.V.
WITH THE FRIENDLY SUPPORT OF
Teatro Galán (Santiago
NRW Choreografisches Zentrum
THEATER IM DEPOT (Dortmund)